Archive

Monthly Archives: October 2011

downtown

I think we all need a change of scenery now and then to keep things fresh. I recently took a trip to visit a couple friends in New York. In preparing for the trip, I debated on which camera system to bring.

Over the past year, I’ve been using a micro 4/3 set up for my pictures almost exclusively. My DSLR, a Canon 5D, often sits at home since I find it too bulky and large to bring it around with me as a daily camera. However, the DSLR does offer a “deep” look that Micro 4/3′s cameras can never dream of achieving.

In discussing this issue with my friends, most actually told me to take the DSLR. But one of my friends, who shoots for my campus’ newspaper, made the strong argument of, “In New York everyone will have DSLR’s, you’ll look like a f***ing tourist if you bring that.” I agreed, and then I packed up my micro 4/3 set up.

It consists of a 14mm f/2.5, 20mm f/1.7, and 50mm f/2. Keep in mind that there’s a 2x crop, so I effectively have a 28/40/100 set up.

The thing is though, in my opinion you have to be very precise with micro 4/3 cameras. Right off the bat they offer less in terms of dynamic range, so you have to make your exposures very exact. The meter on the Olympus EPL2 is very good though, I often trust it to make readings for me.

10th and avenue b

A micro 4/3′s sensor is smaller than your average DSLR’s. This means that micro 4/3 cameras cannot achieve shallow depth of field very easily. Many photographers(me especially) when they start learning to take pictures, will always try to blast everything with a very wide aperture, which will create a very dreamy shallow depth of field shot which is centered around 1 subject. This is a lot harder to do with a mirrorless camera. So many of my shots now days focus on more than just 1 thing, perhaps an intertwining of several different elements. I mainly look out for shadows and reflections.

kenka

I arrived late Friday night, we decided to hit up Kenka in St. Mark’s place. Kenka is an izikaya, basically a Japanese restaurant that serves beer to larger parties, and has a selection of tapas like small plates to accompany all the alcohol. General staples here are grilled fish, yakitori, and anything fried. Oh, meet my friends Laurence and June. I’ve known Laurence since 3rd grade, and June from my photography class at UT.

seafood paella @ socarrat

We then set off to Socarrat Paella bar where June set up a reseravtion. Besides Paella, they offer a variety of seafood and vegetable tapas dishes. We ordered the seafood special for our paella. It was comprised of snapper, clams, shrimp, and had nori and bonito flakes on top. We didn’t really know it would be so influenced by asian flavors, but we still really enjoyed it. All of the seafood was cooked beautifully.

ippudo

Ippudo, one of New York’s more popular ramen joints, has very good broth and add in’s such as grilled pork and soft boiled eggs, but I find their noodles lacking in texture.

cereal milk @ momofuku milk bar

However shallow depth of field is still very possible with the wider lenses, you just have to really push it. We stopped by Momofuku milk bar, a small dessert kiosk owned by David Chang, a chef who I really admire.

kutsu

Someone left a pair of Tom’s neatly on the sidewalk. I found it sort of impressive that I could get some bokeh with the 14mm f/2.5. It’s very hard to get shallow depth of field with a wide angle lens.

belgian

I became sick for the next 2 days due to some sort of food poisoning(most likely from undercooked eggs at brunch from the place above)… heh, but I still continued on. We went to places such as Chelsea for art exhibits, Flushing for Chinese food, and Central Park for naps. The above shot was again taken with the 14mm.

resin

Chelsea has a bunch of contemporary art exhibits. I didn’t really find most of them interesting, perhaps I need to take an art class or something.

robataya

New York really has an amazing selection of Japanese places. We really do not have anything that compares here in Texas. This is a robataya, which is another form of izikaya but you get to sit around a table to point and chose which dishes you want. We didn’t get to sit at this table since we arrived without a reservation, but we still had a very enjoyable meal.

nyu buds

Our group then met up with more of Laurence’s roomates and friends. The Olympus Pen’s built in image stabilization is really handy sometimes.

A night of heavy drinking ensued. I don’t think the pictures are very tasteful so I’ll just post those on facebook.

wispy

A lot of dogs like to hang out next to my friend’s apartment.

central green

Central Park for a nap.

muji

Muji is sort of like a Japanese Ikea. Their merchandise is all very minimalistic and functional.

totto ramen

We went to Ramen Totto, a place that supposedly had better ramen than Ippudo. The wait was about 1 1/2 hours… but we walked around and made it back just in time for our names to be called.

miso ramen

In comparison to Ippudo, I think totto’s grilled pork and noodles a lot better, but their broth isn’t as good. Also their egg is hard boiled… which kind of upset me since I really really enjoy soft boiled eggs in my ramen.

Another night of drinking ensued, again that’s for facebook.

As you can see the EPL2 faired very well in New York. I still have a bunch of pictures to go through, perhaps I’ll be able to post the full album soon.

For those who know me, you may hear me talking about “Micro 4/3″ or Mirrorless cameras a lot.

Over the past year I’ve been using these cameras almost exclusively.

So what’s the big deal with these cameras, how are they different than DSLR’s?

-Background:


When you use a DSLR produced more than 2 years ago, you have to look through the viewfinder in order to frame your picture. A lot of people find this odd since most point and shoot cameras allow you to use the LCD to frame pictures.

This viewfinder system though, is comprised of a box with a bunch of mirrors that translates the image from the lens to the eye piece, we call it a pentaprism. Recent advances in technology have made it possible to do away with this pentaprism, and that allows us to make smaller, slimmer cameras. Which we now call “mirrorless cameras.”

Micro 4/3 is a standard, agreed upon various camera manufacturers, which is comprised of camera bodies and lenses. The key players in this format are Olympus and Panasonic. A Micro 4/3 camera is a type of mirrorless camera.

-Key differences between DSLR’s and Micro 4/3:

-DSLR’s offer:

ashley - night

  • Larger sensor
  • Better low light performance (high ISO performance)
  • Shallower Depth of field (focus blur)
  • Faster response time (power off -> on -> first shot)
  • Better standby battery life
  • Usually faster FPS (frames per second)
  • Better autofocus
  • Better ergonomics, buttons and dials that let you change settings very quickly, better control over autofocus points.
  • Faster / more accurate autofocus

-Mirrorless Cameras offer:


princess

  • Small / Sleek form factor
  • Usually an electronic view finder (EVF) that gives very accurate feedback about the final image.
  • softer and more quiet shutter

-Conclusion:

soco

It seems that DSLR’s have a lot more to offer a photographer. And I’d say yes they do, but the crucial part of having a camera is actually using it. A popular quote from Chase Jarvis is “The best camera is the one you have with you.”

I believe camera design is often a battle between image quality and form factor. It may be odd to say this, but form factor is very important to me. For 9/10 situations, I chose to bring my Olympus EPL2 mirrorless camera over my Canon 5D. 

I find that generally Micro 4/3 Cameras such as the Panasonic GF1 and Olympus Pen series offer fantastic image quality during the day time.


the pillows

And while they do have a harder time after sunset, they can deliver great results at night.

-Mirrorless gear

Gear is still a tricky issue. I’m just going to say that if I were to buy a Micro 4/3 kit today. I would go ahead and buy an Olympus EP3 which comes with a kit lens, and a 20mm f/1.7. That, in my opinion is all you need.

A perk of Micro 4/3 is that you can use virtually any lenses, even old film camera lenses, on them via an adapter. I would recommend maybe picking up an old ass Olympus 50mm f/1.4 or f/1.8 zuiko lens which could be around 30-80 bucks now. And then get an Olympus OM to micro 4/3 adapter.
I believe you could have a lot of fun finding old lenses and using them to produce unique results.

Micro 4/3 Bodies: Olympus EP3, Olympus EPL3, Olympus, EPM3, Panasonic GF3
Micro 4/3 Lenses: Panasonic 20mm f/1.7 (Must have lens), Olympus 12mm f/2, Olympus 45mm f/1.8, Panasonic 12mm f/2.5.

Other Bodies: Sony NEX3, NEX5, NEX 7
*I have not extensively used a Sony NEX camera. All I can say is that I see absolutely fantastic results from these cameras on flickr, but they seem to produced using older manual focus lenses, not the lenses that Sony produces for their NEX line. What this means is that, if you get a Sony NEX, you most likely will have a manual focus only set up.

 

-Next post: Traveling with the Olympus EPL2